Chicago Theatre Review

Chicago Theatre Review

Water for Elephants — A Spectacular Blend of Broadway Magic and Circus Wonder

June 19, 2026 Reviews No Comments

Few Broadway musicals in recent years have captured the sense of wonder and imagination quite like Water for Elephants. Based on Sara Gruen’s bestselling 2006 novel, the musical features a book by Rick Elice and an original folk-inspired score by PigPen Theatre Co. After premiering at Atlanta’s Alliance Theatre in 2023, the production made its Broadway debut at the Imperial Theatre in 2024, earning widespread attention for its breathtaking visual storytelling, innovative stagecraft, and emotional heart.

At its core, Water for Elephants tells the story of Jacob Jankowski, a young veterinary student whose life is upended during the Great Depression. Finding himself aboard a struggling traveling circus, Jacob discovers friendship, purpose, and unexpected love in the form of star performer Marlena. While the story itself is compelling, what truly sets this musical apart is the extraordinary way it is brought to life on stage.

The set design is nothing short of astonishing. Rather than relying on elaborate realism, the production embraces theatrical imagination, transforming the stage into a constantly shifting circus world through moving platforms, inventive projections, lighting effects, and scenic elements that evoke train cars, big tops, and carnival spectacle. The result is a production that feels simultaneously intimate and epic, drawing audiences directly into the Benzini Brothers circus.

One of the show’s greatest achievements is its integration of actual circus performers and acrobats into the storytelling. Aerial artists soar above the audience, acrobats execute jaw-dropping stunts, such as three people standing on each other’s shoulders, and ensemble members perform feats of strength and agility that blur the line between Broadway musical and contemporary circus. These sequences are not merely visual distractions; they become essential components of the narrative, helping convey the excitement, danger, and beauty of circus life. The choreography and circus design work together seamlessly, creating moments that regularly inspire gasps and applause from the audience, highlighting the performers’ extremely impressive aerial and gymnastic skills.

Equally impressive are the production’s puppet animals. Bringing elephants, horses, lions, and other circus creatures to life on stage is no easy task, yet the puppetry achieves a remarkable level of realism and emotional connection. Rather than attempting literal reproduction, the designers create expressive, lifelike animal representations that feel magical and theatrical at the same time. The animals become characters in their own right, including the elephant Rosie, who charmingly only understands Polish commands, helping establish the unique bond between humans and animals that lies at the heart of the story, and the way the animals are brought to life is something I have never personally seen in other productions, causing this to stand out as one of the musical’s strongest features.

Musically, the score combines Americana, folk, and roots-inspired sounds that perfectly complement the Depression-era setting. Among the standout numbers is Marlena’s beautiful solo “Easy,” a heartfelt and emotionally revealing song that showcases her vulnerability and strength. The energetic “The Lion Has Got No Teeth” provides one of the show’s most entertaining ensemble moments, full of tension, humor, and dramatic momentum. Meanwhile, “Zostán” emerges as one of the musical’s most moving pieces, creating an atmosphere of longing, memory, and belonging that resonates long after the curtain falls. These songs, along with numbers such as “Anywhere/Another Train,” “Silver Stars,” and “Wild,” help establish a distinctive musical identity that feels both contemporary and timeless.

The performances are equally strong. Zachary Keller delivers a compelling and heartfelt portrayal of Jacob, capturing both the character’s youthful uncertainty and growing confidence as he finds his place within the circus family. Keller brings warmth, sincerity, and emotional depth to the role, making Jacob’s journey deeply engaging from beginning to end.

Opposite him, Helen Krushinski shines as Marlena. Her performance balances grace, resilience, and vulnerability, while her vocal work is particularly stunning in the show’s more emotional musical moments. Krushinski’s Marlena is far more than a romantic lead; she is a fully realized woman struggling to maintain hope and dignity under difficult circumstances. Together, Keller and Krushinski create a believable and touching chemistry that anchors the production’s emotional center.

What makes Water for Elephants so memorable is its ability to merge spectacle with genuine emotion. The dazzling circus acts, stunning visuals, inventive puppetry, and powerful musical numbers never overshadow the human story at its core. Instead, every artistic element works together to reinforce themes of resilience, chosen family, love, and second chances.

In the end, Water for Elephants is a celebration of what live theater can accomplish when imagination is given free rein. It is visually breathtaking, musically engaging, and emotionally rewarding—a production that transports audiences into another world while reminding them of the enduring power of hope and connection. For theater lovers, circus enthusiasts, and anyone seeking an unforgettable Broadway experience, Water for Elephants is a remarkable ride well worth taking. This is a must see performance that is perfectly staged and brought to life at Madison’s Overture Center.

Details —

Reviewed by Emilie Giardina

5/5 stars

Location: Overture Center for The Arts

201 State Street, Madison WI 53703

Dates: June 16-21, 2026

Tickets available though Box Office (608-258-4141) or through website.


0 comments


Leave a Reply