Chicago Theatre Review

Monthly Archives: June 2023

You Make Me Wanna Shout!

June 30, 2023 Comments Off on You Make Me Wanna Shout!

Buddy: The Buddy Holly Story

Today, jukebox and biographical musicals make up a large portion of the productions playing on Broadway and the West End, and the public absolutely adores them. Telling the life story of a world-famous celebrity, while liberally peppering it with a playlist of the artist’s most beloved songs, has become a theatrical staple. But back in 1989 this was a new style of musical. Written by Alan James, and supported by Sir Paul McCartney (who owns the rights to the music), brought “Buddy: The Buddy Holly Story” to London’s Victoria Palace Theatre. This toe-tapping, high energy musical story, which eventually transferred to Broadway, depicted the meteoric rise to fame of rock and roll legend Buddy Holly. proving to be an absolute crowd-pleaser, it played for 12 years and began a new trend of theatre called the jukebox musical. That trend continues today with shows like “Jersey Boys,” “Ain’t Too Proud,” “Tina” and “MJ.”

Read More

Merrily is a Miracle

June 29, 2023 Comments Off on Merrily is a Miracle

Merrily We Roll Along 

The new production of Stephen Sondheim’s musical Merrily We Roll Along, which just premiered at the Reginald Vaughn Theatre, is a reminder of everything that live theatre is, or should be, all about.  In a shoebox-sized black-box space on Thorndale Avenue, the Blank Theatre Company has conjured up a poetic miracle of a musical production, with hardly a wrong note at any moment from beginning to end, and with a wonderful surprise at its conclusion.  In a long lifetime of theatre-going, I don’t think I have ever seen a better or more heartfelt small-theatre production, nor even a better musical of any size.  

Read More

Tommy, Can You Hear Me?

June 29, 2023 Comments Off on Tommy, Can You Hear Me?

The Who’s Tommy

The Who’s Tommy started life in 1969 as a concept album, was made into a 1975 movie, and was turned into a Broadway musical in 1992. It tells the story of young Tommy, traumatized by events in his childhood into near catatonia. The only thing that seems to reach him is a chance encounter with a pinball machine as a teenager. He’s a virtuoso and it changes the course of his life. The Broadway show was written by The Who’s Pete Townsend and co-author Des McAnuff. McAnuff comes to Chicago to direct Goodman’s amazing new production.

Read More

An Aimless Expedition

June 28, 2023 Comments Off on An Aimless Expedition

Arabia! Arabia!

Arabia! Arabia! is the kind of play that happens when a playwright doesn’t have a clear idea of what he hopes to accomplish and what effect he wants to have on the audience.  Presented by The Plagiarists at the Jarvis Square Theatre, Alexander Utz’s world-premiere play, loosely based on an actual historical event, concerns itself with a group of explorers and scientists commissioned by the Danish government to explore the Middle East — “Arabia Felix,” or “Happy Arabia” — in the mid-18th century.  

Read More

A Lukewarm Domestic Drama

June 26, 2023 Comments Off on A Lukewarm Domestic Drama

Another Marriage

Steppenwolf’s world premiere production of ensemble member Kate Arrington’s first play, Another Marriage, is hardly unworthy of Steppenwolf’s well-deserved reputation as America’s greatest ensemble theatre.  But neither is it destined to go down in history as one of Steppenwolf’s classic productions — not without some redevelopment and rethinking. 

Read More

You’ll Want to See Being Seen

June 26, 2023 Comments Off on You’ll Want to See Being Seen

Being Seen

The more one thinks about the aptly chosen title of Richard Gustin’s play “Being Seen,” the sadder it seems.  The term refers directly to an actor’s audition process; to “be seen” means to receive an audition or a call-back and, from there (one hopes) to receive a part in a movie, play or TV show.  But in a broader sense, virtually everyone wants to “be seen,” to be heard, to feel as if they matter to others, to have at least a modicum of confidence that their status as a unique human creation is recognized and respected by some few others of their fellow human beings.  This deeply resonant play is about how, in every sense of the word, that basic human desire is denied, disregarded, degraded, derided, and rendered an utterly absurd fantasy by the arrogant and unfeeling forces that surround us and that express interest in us only as a source of money for whatever often-spurious enterprise or object they are attempting to sell us. 

Read More

A Second City for Everytown

June 12, 2023 Comments Off on A Second City for Everytown

Second City: Don’t Quit Your Daydream

Second City these days strikes me as a “Chicago institution” not so much in the sense that it’s an annual must-see for native Chicagoans, but rather that it’s an essential stop for out-of-towners on their three-day itineraries, right up there with Lou Malnati’s, Millennium Park and the Art Institute of Chicago.

Read More

Renegades on the Run

June 6, 2023 Comments Off on Renegades on the Run

Lucy and Charlie’s Honeymoon

A very funny, quirky, offbeat and totally unique musical comedy is playing at Lookingglass Theatre and it’s an absolute winner! With an unusual story and script, plus an original Country/Western score, both written by Artistic Associate, Matthew C. Yee (“Treasure Island,” “Moby Dick,” at Lookingglass Theatre) I can guarantee that theatergoers will not only laugh their faces off, but also delight in discovering a completely new theatrical experience.

Read More

Telling the Audience What It Wants to Hear

June 6, 2023 Comments Off on Telling the Audience What It Wants to Hear

Lucy and Charlie’s Honeymoon

Lucy and Charlie’s Honeymoon is an ambitious evening of multi-genre theatre that semi-successfully combines a tall tale about two recently married, bumbling, small-time Chinese-American robbers with figurative and literal brain freeze; a somewhat serious and well-intentioned narrative about human trafficking; expertly timed rapid-fire comic dialogue; honky tonk musical interludes played by a live, onstage C&W combo; and pandering and patronizing messages about the stereotypes faced by Asian-Americans.  If you can manage to overlook that last element — and you should — you’ll have a great time at this world-premiere Lookinglass Theatre production in the theatre’s beautiful Water Tower venue.  

Read More

A Classic Returns to the Lyric

June 6, 2023 Comments Off on A Classic Returns to the Lyric

West Side Story

The Lyric Opera of Chicago is reviving West Side Story, last staged by them in 2019 at the Civic Opera House. I’m going to spoil the rest of the review by simply stating you should definitely get a ticket before the show closes on June 25th.

Read More