Chicago Theatre Review

Author: Kevin Curran

All Flash, No Substance

January 10, 2019 Comments Off on All Flash, No Substance

The Lightning Thief – Broadway in Chicago

The Lightning Thief, based on the young-adult Percy Jackson novels, premiered in a musical adaptation this week at the Oriental Theatre. The story focuses on young Percy Jackson, who discovers that the pantheon of Greek gods is not only real but his father is really Poseidon, the god of the sea. It follows that, as so many teenagers with secret powers have done before him, he and his friends must go on an arduous quest. He must save the life of his mortal mother and get back Zeus’ stolen lightning bolt before it is used to start a war between the gods. So, you know, regular teenager stuff…

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Second Chances

December 28, 2018 Comments Off on Second Chances

Burning Bluebeard – The Ruffians and The Neo-Futurists

On December 30, 1903, the newly built Iroquois Theatre in downtown Chicago caught fire during a matinee performance of Mr. Blue Beard, a pantomime fairy tale. Over six hundred people were killed. In addition to the fire itself, many people were killed as panicked crowds stampeded the doors, to find them either locked or only able to open in and thus pinned shut by the crowd trying to flee. Originally premiering in 2011 and now remounted each Christmas season, Burning Bluebeard sees the ghosts of the performers trying to finish their doomed show.

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Ni Una Más

December 24, 2018 Comments Off on Ni Una Más

La Ruta – Steppenwolf Theatre

I’ve started and discarded at least three drafts of this review. I can’t figure out how to introduce the reader smoothly to my point. So I’m giving up, and I’m just diving in: I’m angry. Outraged. The kind of directionless rage that makes your stomach knot and your face feel hot. And after you see Steppenwolf’s world premiere, La Ruta, which I am telling you now you absolutely must, you will be too.

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Liberté. Égalité. Sororité?

December 13, 2018 Comments Off on Liberté. Égalité. Sororité?

The Revolutionists – Strawdog Theatre

The Revolutionists is a fictionalized account of four women from the French Revolution: Olympe de Gouges, a real playwright, Charlotte Corday, the woman famous for assassinating Jean-Paul Marat, Marianne Angelle, a fictional amalgamation of the women who fought for freedom in Haiti against the hypocrisy of the French Revolution (which claimed freedom for all men… except the ones who maintained the lucrative sugar plantations) and, of course, Marie Antoinette, the ill-fated former Queen of France. The play imagines de Gouges facing a wicked case of writer’s block as the other three come to her for help with their stories. Madame de Gouges wants the Declaration of the Rights of Man and the Citizen to include women. Corday wants to stop the bloody pen of Marat and is looking for the final words she will speak as she faces the guillotine for her forthcoming crime. Angelle wants help spreading the story of the injustice crushing her people in Haiti. Marie Antoinette just wants to be the center of attention for as long as possible. The four women’s stories intersect and overlap as they all attempt to survive the revolution while pushing it where they want it to go.

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[sound of door slamming shut]

December 5, 2018 Comments Off on [sound of door slamming shut]

Deathscribe – Wildclaw Theater

For one night only, Lincoln Hall was home a collection of macabre and spine tingling stories. WildClaw Theater was holding its 11th annual competition for horror stories staged as radio plays. Five finalists were read aloud, accompanied by expert Foley artists on stage. The five stories, plus some songs and commercial breaks, run a gamut from the overtly scary to the deeply unsettling. This year’s winner, Whisper Trigger tells the story of a man trying to get help getting to sleep with the soothing sounds of the ocean, and gets more than he bargained for. My personal favorite was Migraine, a story about a woman who meets the personification of her migraine and chaos ensues. The other stories included the horror standards of being haunted by family members, terror at an insane asylum, and the horrifying experiments of a mad scientist, each with their own twist on the tropes. 
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Letters from Home

December 4, 2018 Comments Off on Letters from Home

The Holiday Radio Show of 1943 – Three Cat Productions

Holiday shows have a more difficult job than you might think. They have to appeal to everyone at once and find a way to present songs and stories most people know even if they don’t know they know them. The Holiday Radio Show of 1943, performed in the cozy confines of the Berger Park Coach House, finds a charming way to do that.

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Derailed

December 1, 2018 Comments Off on Derailed

Holiday El Stories – Waltzing Mechanics 

For anyone not familiar with it, every holiday season, the CTA runs a holiday train around the city.

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Something Old, Something New…

November 30, 2018 Comments Off on Something Old, Something New…

Familiar – Steppenwolf Theater

Danai Gurira’s most recent play, Familiar, gets its Chicago premiere at the Steppenwolf Theater this month.

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Confronting the Past, Dreaming of the Future

November 26, 2018 Comments Off on Confronting the Past, Dreaming of the Future

HeLa – Sideshow Theater Company

HeLa, a new play by J. Nicole Brooks, produced by the Sideshow Theater Company premiered at the Greenhouse Theater Center this weekend. The play weaves together three stories.  

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The Safe House

November 19, 2018 Comments Off on The Safe House

The Safe House – City Lit Theater

The Safe House, premiering this month at City Lit Theater, focuses on Bridget, a young actress in 1982 returning to her family’s home in Lansing, Michigan, and her grandmother, Hannah.

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